creativity

toy interviews
M: Jane, you work with preschool children, with their parents and were a consultant to Brio toys for a number of years. What do you look for in a good toy?

J: I always look for a toy that doesn’t do very much because the less the toy does the more the child can bring his or her imagination or ideas to it. It is call an open-ended toy.
M: Let’s talk about that.

J: An open-ended toy is one that can be used in a variety of ways and by children of different ages and at different stages in their development. My favorite example are building blocks because for the two year old they’re pretty much are carrying them around, lining them up on a horizontal level, and then perhaps stacking or bridging or enclosing.

It’s so interesting to see parent’s reactions because they buy a set of building blocks and they have this great idea, ahh - castles or space stations and they get disappointed when a child might only line them up. But that’s what a two year old does and that is in preparation for those later stages.
 
Blocks, being an open-ended toy, can be one experience for the two year old. It can be another experience for the eight year old. They’ll use it in different ways. Open-ended toys also have no right or wrong. A child can build a tower and put the heaviest block on top, what’s going to happen? It’s going to fall over. That’s not wrong. They’re discovering something. Maybe they’re learning a little bit about gravity or balance and so a good open-ended toy will allow the child to experiment.
 
Open-ended toys are also unstructured. It doesn’t do anything until the child comes into the scene. The child brings the object to life by adding their imagination to it. Providing children with good open-ended toys, I think, is the best way to encourage them to explore not only materials but different concepts through their imagination.

M: There are a lot of adult overlays on what we consider to be child’s play or play in general. Have you seen that manifest with both the people that are making toys and also with parents?

J: I see it in both areas, certainly in toy companies and manufacturers because they want to have something new and exciting every year to present at toy fair or to sell, and of course they want to make money and so they need more product.

It’s a very consumer oriented society that we’re in. I think the parent is also looking for something new and exciting to entertain their child or to give them something that they think will please the child or maybe out of their lack of attention they will give an object that they feel says I love you. So I think both the toy companies and the parents get caught in that trap of something more, something new.

It amazes me today how many places you can find toys. As a child I think the only place was maybe a toy store or in a catalog. And now you can go to the grocery store, and the drug store, the gift shop, every place. Even at food establishments you can get a toy. It’s pretty alluring for the child because they’re seeing them every place. I’m amazed too when I’ve done focus groups with parents and we ask the question how often do you buy a toy for a child? It’s not just at a birthday or at a holiday; some parents told me that they buy a toy every time they go to the store. Maybe it’s only a two or three dollar item, but it’s overwhelming.

sahtouris

Elisabet Sahtouris
with Michael Mendizza

M: You made an observation - not only is this a really dynamic time but also the opportunity for new, wonderful, positive things to crack open. When I read the newspapers and look at the politics, the chaos, at all of the dark things that we’re seeing, that was a really bright observation. I’d like to look at that and talk a little about your background as a Biologist and how that background, looking at living systems, brought you to such an optimistic observation - that our glass is definitely half full rather than hall empty.

E: I started out very early as a child asking what I didn’t know were the big philosophical questions of the ages but basically who are we, where’d we come from and where are we headed? And I was allowed to run free in the woods as a child and on the Hudson River in the Hudson Valley. I still have its mud between my toes. That was a wonderfully creative experience because there were no grown ups watching and you really got to explore things in ways that I don’t see my grandchildren being allowed to do.

I wanted to study Biology. My parents said science was for boys and I ended up having to do four years of art school and then getting into Biology. And as an Evolution Biologist with a post dock at the American Museum of Natural History in New York I’m really a Past-ist but a Past-ist with a very long time frame and of course I really want to know where we’re headed and that’s a Futurist. So I’m a Pastist in order to be a good Futurist.

Grow up, kid – there’s no Santa. And Mickey and Bugs, they aren’t real either. In doing so we become big fat liars and kids know it. If we lie about Santa, why would they believe anything we say - ever?

Beliefs are realities. Beliefs predispose and organize the body and mind in predictable ways.

Parents must reinvent themselves, in different ways, right along with their children. But they don’t.

We are either growing or dying. There is no middle ground.

This is about media and the so called ‘digital culture’ or as Mark Bauerlein, English Professor Emory University describes in his new book: The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes our Future.

TTF board member, Andrew Papageorge, a world leader in large system innovation, recently interviewed Michael. Together they explored what it means to be creative and innovative, both critical topics in our brave new world of accelerating challenges and change.

How storytelling develops imagination. Imagination goes much deeper than make-believe play and storytelling. Imagination is a mental field, a swirling flood of impressions, a movement of the immediate present blending seamlessly with the distant past.

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